Our mission rests on sharing key aspects of our unique research on autism, memory, imagination, and the theory-of-everything.
A. The documentary-films, most books, and the schedules of our 10 workshops can be examined in English, Spanish, and Italian.
B. All the documentaries and 10 out of 12 articles written by Antonio Cassella (EdD) are free-of-cost; his books can be purchased through Amazon; and the workshops are given on demand.
The Mesoamerican bird-serpent Quetzal-coatl will return:
Students, teachers, parents, medical doctors, artists, leaders of any concern and level (and any human being capable of reading) will learn how to read by exploring the paradoxical information offered here.
As the original author, Antonio Cassella places all the pictures and wordings of this website under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (Example, Cassella Antonio, Title of Page/Figure/Article/etc, Researchautism.com: Research Autism LLC.)
The 12 documentaries (15 minutes each or less) with subtitles offered here are hosted by U-Tube. They were produced by the scientist who heads our research on autism, education, and creativity: Antonio Cassella (EdD). The script of the films (in English, Spanish, and Italian) corresponds almost perfectly to the 4 parts of Antonio's book, AN UNLAWFUL LOOK AT AN EXTRAORDINARY THEORY-OF-EVERYTHING (or the "logos heuristics").
ALL DOCUMENTARIES BY ANTONIO CASSELLA CAN BE SEEN WITHOUT COST. CLICK ON THE FIGURE OR THE "VIDEOS" TAB ABOVE .
YOU MAY DOWNLOAD 10 OF THE 12 ARTICLES HERE AT NOT COST AFTER CLICKING THE TAB "ARTICLES" OR THE FIGURE ABOVE.
Books by Antonio Cassella at Amazon may be examined by clicking the figure above or the tab "BOOKS." In his printed books, the author underlies the first attention, or the first point spared in autistic spectrum disorders (ASD); highlights with bold the second attention, or the second point impaired in autistics; and combines underlining and bold to show the Third Attention, or the Third Point anyone can reach after crossing his or her own inferno. The opening of Dante's Inferno makes a fit example (translation by the author):
"In the middle of the path of our life
I found myself in a dark wood,
for the straight way was lost in strife.
To tell how bad it was it isn't good
the forest that stole away my breath
while my mind in fear there stood!
Bitter than that is only death;
but outing the good that I found there,
calls for describing the whole wreath.
DR. CASSELLA CAN GUIDE 8 to 20 PARTICIPANTS THROUGH ANYONE OF TEN (IN-PLACE OR ON-LINE) 5-HOURS WORKSHOPS;
1. Autism and creativity
2. Fundamentals of language
3. Neural computing
4. Logos in the arts
7. Social values
8. Climate change
9. The "Teachings of Don Juan"
10. Solving a crucial problem
To examine the content and the program of the ten workshop, press the tabs "More" and "Workshop" (English) on the main menu. You can also press the tab of a particular workshop to print the respective program in English, Spanish, or Italian.
(ANY 5-HOUR WORKSHOP CAN BE RE-CONVEYED TO EIGHT HOURS, OR TO A 1.5-HOUR CONFERENCE).
THE NEXT SECTION DESCRIBES THE FIRST POINT SPARED IN AUTISM (the 1st Labyrinth), THE SECOND POINT MARRED IN AUTISM (the 2nd Labyrinth), AND THEIR UNION IN THE THIRD POINT (the 3rd Labyrinth).
Antonio Cassella found in 1997 that, within Classical Computing (CC, in which "yes" opposes "no" or "1" opposes "0"), our autistic facet appreciates the Egyptian Crook, the Hebrew crystal Thummim, Zechariah's staff Hovalim, the straight path of an arrow, and the Aztec Tonal, or spacetime.
Our autistic facet values obedience to authority, memories, discourse semantics, syntax, physical means, and the perfect repetition of known patterns provided by spacetime in the 1st attention.
Two examples of CC are "Nat King Cole's song, "Quizás, quizás, quizás" and the phrase, "I will be back," opposed to, "No!, I will not return!" CC stands behind the mannerisms and echolalia (+1) of autistic individuals.
With the help of Alfonso Caramazza, Cassella found that the impairment of QC (Quantum Computing, or 2, the invisible and silent partner to CC), leads the brain of autistic individuals to enlarging the repository of "truth": The cerebral cortex.
Before the age of 3 years, the cerebellar-brainstem microcomplexes of autistics lose their hold on Quantum Computing, the Egyptian Flail, the Hebrew Urim, Zechariah's staff No'am, the simultaneous power of a bow, and the Aztec Nagual, or hyperspace.
Autistics cannot see less-than-perfect patterns, within the pragmatics unleashed by the 2nd attention and the coherence path that embraces opposite meanings simultaneously.
One example of the union of yes and no is Nat's song, "Quizás, quizás, quizás" ("Maybe, maybe, maybe"). Because the Flail of QC is impaired in autistics, they cannot fathom the ambiguity unleashed by the sentence, "Maybe I will return."
Since they embrace contrary truths, nonautistics may lie (2), welcome deception, and evade the law in winning over others. Still, the liars who hurt the magical hyperspace (QC) of others will not escape madness.
Because autistics lack the FLAIL and the coherence attached to the infinite speed of divergence in quantum computing, their primeval innocence cannot embrace good and evil, respect and hatred, sanity and madness.
Because they can neither face a problem through quantum coherence, nor solve it through quantum decoherence, autistics can help us reach the Third Attention.
For example, autistics cannot smile at a pun, appreciate an irony, value criticism, or sort out how to win with others. A few nonautistics, however, use their capacity for QC to win over gullible people by deceiving them. That is why unrepented devils will never reach the Third Point.
Cassella's paperback books differentiate spacetime (the 1st attention or the first point), hyperspace (the 2nd attention or the second point), and their union (the 3rd Attention, or the Third Point).
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Copyright © 2019 Research Autism LLC - All the rights are kept. Reviewed August 28 / 2019.